as a writer and director, i am devoted to theatre and film's power to dilate consciousness. 

when perception is stretched the self enters a threshold between heart and another's soul, wherein the potential to expand emotional intelligence, and heal, is suddenly made possible. (in a word: empathize.) ​

it is my intention to generate space and play dedicated to voices and landscapes essential to re-defining the known, the conventional. essence wise, i would consider my scripts on a spectrum between magical realities and magical realism.

for me, work is supremely executed when roots are tethered to clown wisdom, heart is charged, and mind is led by great mystery. 

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as an actor, the prize is truth; to be believable, then curious, then, perhaps surprising.  

as for casting, i am a gender queer, biracial (Chinese+white) trained heart throb-- i mean trained actor, ready to be cast in the next sapphic episodic.​ my studies span from an NYU Tisch BFA in Drama (New Studio, Strasberg, RADA) to the legendary Wynn Handman Studio to clown with Christopher Bayes.

i am a proud member of La MaMa's Great Jones Repertory Company, and frequently perform abroad, specifically in Germany.

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as for puppets... they are a beloved, most valuable key.